1. |
Informer
08:00
|
|||
2. |
Dewsbury Severance
05:16
|
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3. |
Black Octagons
07:30
|
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So glad I found the digital on bandcamp. Not much of a Vinyl fan and this record was on my wishlist for 2 years. The album version is one hell of a track as well (same goes for the whole of 'flatland') but I needed something more club-ish to play out. This is one of these tracks that triggers mind-blowing positive reactions in about 1 of 10 listeners while the rest might just leave the dancefloor. Charming production! 10/10! for me. :)
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A collaborative work shines brightest when its stars align, blend, and stand out on their own. The sharpest ears will hear elements of each artist at different times. That rush of air sound on "Inkjet" sounds very much like Beatrice Dillon. While Call Super's signature tones make an appearance on "Fluo" at 1:45 and beyond. The clarinet playing on "Fluo" must be Call Super's father, whose work can be heard on Call Super's stellar album "Arpo." Shout out to Hessle for the unrivaled consistency.
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Masaki Uchida’s music is a true head trip; serrated electronics one minute, unsettling ambiance the next.
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